INTERVIEWS

// INSIDER TALKS
Colleen Quinton: The Visual Identity of Contemporary Cinema
Nº 03

Colleen Quinton: The Visual Identity of Contemporary Cinema

Colleen Quinton: From Intimate Realism to Blockbuster Scale. From the emotional subtlety in Arrival to the technical complexity of Transformers: Rise of the Beasts and the anticipated The Last Frontier. We speak with the legendary Makeup Department Head about her collaboration with icons like Sigourney Weaver and how to lead the aesthetic of the most ambitious productions in today's industry.

Yolanda Piña: Designing the Identity of Spanish Cinema
Nº 07

Yolanda Piña: Designing the Identity of Spanish Cinema

Yolanda Piña: The Craft of Truth in Film. Winner of the Goya Award for Modelo 77 and the mastermind behind the aesthetic of films like Marshland and The Plague , Yolanda is the queen of "invisibility." We spoke with her about how sweat, mud, and historical accuracy shape the visual identity of Spanish cinema and what skills a makeup artist needs to succeed in the era of ultra-high definition.

Jenny Lin: The Art of Transformation and the Power of Continuity
Nº 08

Jenny Lin: The Art of Transformation and the Power of Continuity

Jenny Lin: Designing visual identity from Alita to NCIS: Origins. From Robert Rodriguez's cybernetic action scenes to the long-running drama on Queen of the South, Jenny Lin has proven to be a master of versatility. We spoke with the Makeup Department Head about designing iconic characters, her close collaboration with Gina Rodriguez, and the challenge of leading global franchises.

Babalwa Mtshiselwa: The Power of Identity and Global Design
Nº 10

Babalwa Mtshiselwa: The Power of Identity and Global Design

Babalwa Mtshiselwa: Leading the way in realism. From the epic The Woman King to the international action of My Spy 2 , Babalwa has built a career where makeup and hair design are inseparable from the narrative. We spoke with her about managing large departments, prosthetic design, and the importance of visual identity in productions for Sony, Netflix, and Amazon Studios.

Burton LeBlanc: THE ART OF RESILIENCE AND DYSTOPIAN DESIGN
Nº 11

Burton LeBlanc: THE ART OF RESILIENCE AND DYSTOPIAN DESIGN

Burton LeBlanc: Designing resilience. The three-time Emmy nominee and designer for The Handmaid's Tale reveals how makeup becomes a tool for survival on screen. We spoke with Elisabeth Moss's personal makeup artist about the evolution of June Osborne, the challenge of second units in blockbusters like The Incredible Hulk and how to lead departments in elite Hollywood.

Arielle Toelke: The Visual DNA of Character and Genre
Nº 12

Arielle Toelke: The Visual DNA of Character and Genre

Arielle Toelke: Designing New York's visual identity. From the explosion of color in "Unbreakable Kimmy Schmidt", through "Only Murders in the Building" to the criminal elegance of "Godfather of Harlem", Arielle Toelke has defined the aesthetic of contemporary television. We spoke with the department head about her evolution from special effects on "The Blacklist" to leading prestigious productions on HBO and Netflix.

Oscar del Monte: The Architecture of the Impossible in FX
Nº 14

Oscar del Monte: The Architecture of the Impossible in FX

Óscar opens the doors to his creative process: from the technical challenge of 8K ultra-definition to the psychology needed to survive (and shine) on a large-scale set. A masterclass on how precision at the edges, mastery of anatomical volume, and human touch define a world-class makeup artist. Discover why, in the HDR era, the magic lies in what the camera can't reveal.

Zaira Aden: Crossing the Sirât of Technical Perfection
Nº 16

Zaira Aden: Crossing the Sirât of Technical Perfection

Zaira Adén: Walking on the Sirât of characterization. The recent Gaudí Award winner and key player in Oliver Laxe's acclaimed "Sirât" reveals how technical precision and the management of special effects under extreme conditions are the only bridge to cinematic immortality. A lesson in realism, skin health, and teamwork at the elite level of contemporary cinema.

Nino del Pozo: Defending FX Credibility in the 8K Era
Nº 17

Nino del Pozo: Defending FX Credibility in the 8K Era

"The standard for FX makeup has never been higher. We interviewed Nino del Pozo, Manager of the prestigious Medusa Creative Studio, to understand the real challenge of 8K and HDR productions. Discover why the mold edge is key, what common mistakes cost thousands in post-production, and how a freelance artist can build a portfolio that catches the eye of major studios. Essential reading to elevate your work to Medusa's level."

Fany Bello: Where the Brush Meets the Script
Nº 18

Fany Bello: Where the Brush Meets the Script

Fanny Bello: Building stories with a brushstroke. We journey into the universe of this makeup artist from A Coruña who understands skin as a visual script. From artistic avant-gardes to the realism of Rapa and Hierro , discover how a character is designed from truth and fantasy.

Isabel Auernheimer: An Afternoon with...
Nº 21

Isabel Auernheimer: An Afternoon with...

In the world of special effects makeup, the difference between believable work and makeup that shatters the illusion is measured in millimeters. Today, master makeup artist Isabel Auernheimer (Bo Project Makeup) reveals her tips on speed, silicone mold quality, and the foolproof Bondo technique every student should learn.

INTERVIEW

AN AFTERNOON WITH...
JAKE GARBER

THE SOUL OF THE CHARACTER AND THE AESTHETICS OF CONFIDENTIALITY

Exclusive interview with Kyra Panchenko: From Beatrix Kiddo's lethal stare in "Kill Bill", Nicole Kidman's complex vulnerability in "The Undoing" to the complexity of "Marty Supreme".

INTERVIEW

INTERVIEW

AN AFTERNOON WITH...
JAKE GARBER

From Tarantino's guts to the summit of Hollywood

Exclusive interview with Jake Garber (Fallout, Hellboy, The Walking Dead). Discover the secrets of Hollywood special effects and the mindset of an Oscar-nominated artist.

INTERVIEW

INTERVIEW

AN AFTERNOON WITH...
JANA CARBONI

DESIGNING HISTORY AND LUXURY ON THE BIG SCREEN

Exclusive interview with Jana Carboni, Ridley Scott's head of makeup. We discuss her work on "Gladiator II", "Napoleon" and "House of Gucci". Expert advice on period makeup, leadership, and how to succeed in the international film industry.

INTERVIEW
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